Bretonnians of the Old World

These miniatures from the Bretonnia army in Warhammer: The Old World were on display at Warhammer World.

The Kingdom of Bretonnia army in Warhammer: The Old World is a vibrant and iconic force, deeply rooted in the chivalric ideals of Arthurian legend and medieval France. Unlike many other factions, the Bretonnian military philosophy is almost entirely dictated by their unwavering faith in the Lady of the Lake and the rigid Code Chivalric. This results in an army that is highly specialised, emphasising powerful cavalry charges and the spiritual purity of its knights, supported by the common folk who make up the vast majority of the kingdom’s population.

At the core of any Bretonnian army are its Knights. These aren’t just mere soldiers; they are noble warriors, each striving to uphold their vows and ultimately achieve the ultimate quest: to drink from the Grail and become a Grail Knight. This pursuit of virtue is reflected in their distinct unit types. From the impetuous, glory-seeking Knights Errant who are yet to prove themselves, to the disciplined and unwavering Knights of the Realm who have taken their first vows, and finally the truly legendary Questing Knights and the near-mythical Grail Knights, each tier of cavalry represents a deeper commitment to the Lady and a greater martial prowess. Their signature tactic, the thunderous Lance Formation, allows them to deliver devastating charges, often shattering enemy lines in a single, glorious assault.

While the knights are the shining spearhead, the backbone of a Bretonnian army is undoubtedly its peasantry. Comprising the vast majority of the kingdom’s population, these humble folk serve out of duty and fear, led by their knightly lords. Men-at-Arms form the infantry blocks, wielding spears or halberds, and are often tasked with holding the line or protecting the flanks against enemies that the knights cannot outmanoeuvre. Peasant Bowmen, armed with longbows, provide ranged support, their arrows often tipped with prayers to the Lady for divine guidance. Though seemingly disparate, the peasants and knights form a cohesive, albeit socially stratified, fighting force. The Grail Reliquae, borne by devout Battle Pilgrims, serves as a powerful symbol of faith, inspiring courage in nearby peasant units and representing the very essence of Bretonnian piety on the battlefield.

Beyond these core elements, the Bretonnian army can include powerful figures like Dukes and Barons who lead their hosts, often mounted on majestic Hippogryphs or Royal Pegasi, soaring above the battlefield to strike decisive blows. Damsels and Prophetesses, handmaidens of the Lady, wield the divine magic of the Lore of the Lady, bolstering their allies and unleashing holy wrath upon their foes. For siege warfare or breaking heavily armoured foes, the Field Trebuchet provides powerful, albeit often inaccurate, artillery support. The overall impression of a Bretonnian army is one of glorious, disciplined charges, a blend of martial prowess and fervent faith, where every battle is fought not just for land or glory, but for the honour of the Lady and the chivalric ideal.

The Battle of Matorea

The Warhammer Old World diorama, “The Battle of Matorea,” is a breathtaking tableau that vividly brings to life a dramatic clash between the chivalrous Bretonnian Knights and the ancient, undead legions of the Tomb Kings of Khemri. This expertly crafted scene captures a pivotal moment in what must have been a desperate struggle, highlighting the contrasting aesthetics and fighting styles of these two iconic factions.

Settra the Imperishable lays siege to the coastal city of Matorea with a massive undead host as Cecil Gastonne, the Wyrm Slayer rallies its hopelessly outnumbered defenders. Just as the city’s defences begin to fail, the trumpeting of silver clarions sounds in the east, heralding the arrival of Duke Gastille. Have the duke and his knights arrived in time to lift the siege, or will they join the doomed defenders in a heroic death?

At the heart of the diorama, the Bretonnian Knights, resplendent in their vibrant heraldry and polished plate armor, are depicted mid-charge, lances lowered and banners flying high. The dynamism of their assault is palpable, conveying the sheer force and faith with which these champions of the Lady throw themselves into battle. One can almost hear the thundering hooves and the shouts of “For the Lady!” as they aim to shatter the brittle ranks of their skeletal foes. The diorama likely showcases various knightly orders, perhaps even a Duke or a Grail Knight, leading the charge with unwavering determination, their mounts rearing or galloping furiously into the fray.

Opposing this glorious charge, the Tomb Kings of Khemri present a stark and unsettling contrast. Their skeletal warriors, ancient and unfeeling, form an unyielding tide of bone and rusted bronze. Hierophants and Tomb Princes, perhaps astride macabre chariots or mighty constructs like Ushabti, would be strategically positioned, directing their automaton armies with an eerie, silent resolve. The diorama would no doubt emphasize the sheer numbers of the Tomb Kings, with ranks of skeleton warriors, archers, and perhaps even animated constructs like Screaming Skull Catapults or Necrolith Colossi, adding to the sense of overwhelming, relentless pressure. The bleached bones and dusty, tattered banners of Khemri create an atmosphere of dread and ancient power, starkly contrasting with the vibrant colours of Bretonnia.

“The Battle of Matorea” isn’t just a collection of miniatures; it’s a narrative frozen in time. The composition likely draws the viewer’s eye to key points of conflict – a Bretonnian Knight’s lance impaling a skeletal champion, a Foot Knight desperately defending a standard against a tide of mummified horrors, or a magical duel between a Bretonnian Damsel and a Liche Priest. Through meticulous detail and expert painting, the diorama effectively conveys the chaos, heroism, and horror of war in the Old World, making it a truly immersive and captivating piece for any Warhammer enthusiast. It serves as a testament to the rich lore and enduring appeal of the setting, particularly the epic conflicts that define its factions.

More photographs of The Battle of Matorea.

The Battle of Matorea

This diorama is one of the newest displays at Warhammer World. This is a Warhammer Old World diorama and shows The Battle of Matorea. A massive conflict between the undead Tomb Kings of Khemri and the valiant Kingdom of Bretonnia.

Settra the Imperishable lays siege to the coastal city of Matorea with a massive undead host as Cecil Gastonne, the Wyrm Slayer rallies its hopelessly outnumbered defenders. Just as the city’s defences begin to fail, the trumpeting of silver clarions sounds in the east, heralding the arrival of Duke Gastille. Have the duke and his knights arrived in time to lift the siege, or will they join the doomed defenders in a heroic death?

More photographs of The Battle of Matorea.

Bretonnian Battle Pilgrims

These fanatical Battle Pilgrims follow Grail Knights into battle.

Their wish is to bask in the glory of the knights as they fight and die on the battlefields of the Old World.

They have a burning passion for glory, so will follow their idols, praise their words, rejoice in their acts of heroism, regardless of weather and geography.

These are metal castings.

Duelling a Dragon

This impressive model was at Warhammer World.

It was a Bretonnian Knight in battle with a Dragon.

The modeller has managed to capture a moment in the fight which looks like the dragon is actually flying at the Knight. Nice scenery and little touches like the broken lance.

Close up of the Knight which I had photographed on a previous visit to Warhammer World.

More photographs of the Bretonnians.

The Battle of Matorea

This diorama is one of the newest displays at Warhammer World. This is a Warhammer Old World diorama and shows The Battle of Matorea. A massive conflict between the undead Tomb Kings of Khemri and the valiant Kingdom of Bretonnia. One half of the battlefield you have a Bretonnian castle being defended with Bretonnian knights sallying forth from the battlements.  Opposing them are the hordes of undead skeletons, chariots, and monstrous constructs. Flying across the battlefield are the bone dragons of the Tomb Kings of Khemri and Pegasus Rights of the Kingdom of Bretonnia.

 

This was a very impressive diorama and really showed off both Old World forces.

Settra the Imperishable lays siege to the coastal city of Matorea with a massive undead host as Cecil Gastonne, the Wyrm Slayer rallies its hopelessly outnumbered defenders. Just as the city’s defences begin to fail, the trumpeting of silver clarions sounds in the east, heralding the arrival of Duke Gastille. Have the duke and his knights arrived in time to lift the siege, or will they join the doomed defenders in a heroic death?

The castle was scratch built. 

The Warhammer World Studio embraced classic modelling techniques to design and craft the landscape and buildings, with minimal use of plastic terrain kits. Built from scratch, the castle’s walls use extruded polystyrene sheets with the brickwork patterns hand carved and textured. The repeated features, such as the battlements, were hand sculpted, then moulds were made from the original so that multiple resin pieces could be cast from them. There are a number of conversions to spot. For instance, the flying Bone Dragons were cut down to individual bones and repositioned.

Warhammer Old World

Warhammer

Over on the Warhammer Community site they have announced how Warhammer Old World will be released.

They won’t be doing a huge launch boxed set, instead, in the first instance they will be releasing two army boxes, Tomb Kings of Khemri, and The Kingdom of Bretonnia. These each contain a 1250 point army.

It will be interesting to see how these are priced, considering each box contains nearly a hundred miniatures, and a huge army centrepiece. You also get the 352-page hardback Warhammer: The Old World rulebook.

As well as the boxed sets the rulebook will be available separately.

The rulebook will also be available separately. This weighty 352-page tome features over 70 pages of background on the World of Legend, plus Core and Advanced rules for the game, an explanation of the Winds of Magic and rules for casting spells, a gallery of armies painted by the ’Eavy Metal studio, and rules for building armies and setting up your battlefields.

I do like how the two army books are called Forces of Fantasy and Ravening Hordes.

Forces of Fantasy is a 192-page book covering five factions: the Dwarfen Mountain Holds, the Empire of Man, the Kingdom of Bretonnia, the Wood Elf Realms, and the High Elf Realms. Ravening Hordes contains all your Evil factions – it’s a 160-page  containing similar material for the Orc and Goblin Tribes, the Warriors of Chaos, the Beastmen Brayherds, and the Tomb Kings of Khemri.

Forces of Fantasy was the name of the first Warhammer (1st Edition) supplement. Whilst Ravening Hordes was the army list for second edition. I bought both of those back in the day!

I am tempted by the Tomb Kings of Khemri boxed set, as I always liked the idea of an undead skeleton army. I had some metal skeletons back in the day.

I am also thinking of rebooting my original Dwarf army as well. Then again I always liked Orcs and Goblins.

As for a release date, no idea.

The Bretonnian Joust

The Bretonnian Joust

I have always liked this jousting diorama, The Bretonnian Joust, by Dave Andrews which won the Open Competition in the 1996 Golden Demon awards. The level of detail is outstanding. There are hoof marks in the ground, created using clay. The manuscript on the back is handwritten.

More photographs of The Joust.